"Symphony No.2: 2. Allegro risoluto" by Aram Khachaturian, Wiener Philharmoniker was released on January 1, 1989. Since Symphony No.2: 2. Allegro risoluto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Aram Khachaturian, Wiener Philharmoniker's "Khachaturian: Symphony No. 2; Gayaneh Suite" album is number 2 out of 9. In terms of popularity, Symphony No.2: 2. Allegro risoluto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.2: 2. Allegro risoluto by Aram Khachaturian, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Masquerade Suite: III. Mazurka | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | E Minor | 4 | 9A | 96 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Enigma Variations: Variation I. C.A.E - L'istesso tempo | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 72 BPM | ||
Furioso-Galopp nach Liszt's Motiven, Op.114 | Johann Strauss I, Wiener Philharmoniker, Franz Welser-Möst | G Major | 5 | 9B | 89 BPM | ||
Symphony No. 8 in C Minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend | Anton Bruckner, Wiener Philharmoniker, Pierre Boulez | D♭ Major | 1 | 3B | 69 BPM | ||
Orpheus In The Underworld (Orphée aux enfers): Can-Can - Live | Jacques Offenbach, Wiener Philharmoniker, Lorin Maazel | D Major | 6 | 10B | 172 BPM | ||
Elfenreigen | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | C Major | 0 | 8B | 137 BPM | ||
Wagner: Lohengrin, WWV 75, Act 3 Scene 1: Prelude (Sehr lebhaft) | Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker | G Major | 3 | 9B | 80 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM |
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