"Symphony No. 8 in C Minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend" by Anton Bruckner, Wiener Philharmoniker, Pierre Boulez was released on January 1, 2000. Symphony No. 8 in C Minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend appears to be safe for all ages as it is not explicit. The song is number 3 out of 4 in Bruckner: Symphony No.8 by Anton Bruckner, Wiener Philharmoniker, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No. 8 in C Minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 8 in C Minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend by Anton Bruckner, Wiener Philharmoniker, Pierre Boulez is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 7. Troyte (Presto) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | C Minor | 4 | 5A | 151 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Les Préludes, Symphonic Poem No. 3, S. 97 | Franz Liszt, Wiener Philharmoniker, Giuseppe Sinopoli | C Major | 2 | 8B | 66 BPM | ||
Symphony No. 3 in D minor (3. Version 1889): Adagio: Bewegt, quasi andante | Anton Bruckner, Günter Wand | F♯ Minor | 2 | 11A | 98 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Langsam. Misterioso (Chorus: "Aufersteh'n") | Gustav Mahler, Latonia Moore, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | F♯ Major | 0 | 2B | 78 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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