Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra's 'Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire' came out on 1964. The duration of Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. Based on our statistics, Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire by Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B / Zweiter Akt: "Hojotoho! Hojotoho!" | Richard Wagner, Régine Crespin, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 95 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 3 | 8A | 82 BPM | ||
Puccini: Madama Butterfly, Act 2: "Con onor muore" (Madama Butterfly) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | B Minor | 2 | 10A | 91 BPM | ||
La traviata / Act 1: "Un dì felice, eterea" | Giuseppe Verdi, Luciano Pavarotti, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 89 BPM | ||
Carmen, Act III, No.20 Trio: Voyons que j'essaie à mon tour (Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 0 | 8B | 125 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Puccini: Turandot, Act 1: "Signore, ascolta!" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
Strauss, R: 4 Lieder, Op. 27: I. Ruhe, meine Seele | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | D Minor | 1 | 7A | 89 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 5 | 5B | 102 BPM | ||
Rusalka, Op. 114 / Act 2: Jiz tyden dlis po boku | Antonín Dvořák, Ben Heppner, Eva Urbanova, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 167 BPM |
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