"Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso)" by Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan was released on 1961. With this song being about 5 minutes long, at 4:44, "Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso)" by Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 21 out of 44 in Bellini: Norma by Vincenzo Bellini, Maria Callas, Franco Corelli, Christa Ludwig, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano. Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) by Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 1: "Don, din, don - suona vespero" | Ruggero Leoncavallo, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | C Major | 1 | 8B | 84 BPM | ||
Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Celeste un'aura pel tempio move! (Coro/Callistene) | Gaetano Donizetti, Salvatore Cammarano, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 3 | 10B | 70 BPM | ||
Carmen (1997 - Remaster), Act II: Eh bien! vite, quelles nouvelles?.....Nous avons en tête un affaire | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 2 | 4A | 83 BPM | ||
Lohengrin, WWV 75 / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Plácido Domingo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 86 BPM | ||
Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | B Minor | 1 | 10A | 83 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 94 BPM | ||
Rigoletto: Bella figlia dell'amore (Duca, Maddalena, Gilda, Rigoletto) | Giuseppe Verdi, Carlo Bergonzi, Fiorenza Cossotto, Renata Scotto, Dietrich Fischer-Dieskau, Orchestra Del Teatro Alla Scala, Milano, Rafael Kubelik | D♭ Major | 2 | 3B | 84 BPM | ||
Aida (1997 Digital Remaster): Se quel gerriero io fossil! | Giuseppe Verdi, Richard Tucker, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Major | 1 | 6B | 79 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM |
Section: 0.9058265686035156
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