"Pagliacci / Act 1: "Don, din, don - suona vespero"" by Ruggero Leoncavallo, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre was released on January 1, 1984. The duration of Pagliacci / Act 1: "Don, din, don - suona vespero" is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Pagliacci / Act 1: "Don, din, don - suona vespero"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruggero Leoncavallo, Teresa Stratas, Plácido Domingo, Juan Pons, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre's "Leoncavallo: I Pagliacci" album is number 7 out of 25. Pagliacci / Act 1: "Don, din, don - suona vespero" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 1: "Don, din, don - suona vespero" by Ruggero Leoncavallo, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème (2003 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE: Quando me'n vo | Maria Callas, Georges Prêtre, Orchestre National de la RTF | D♭ Major | 2 | 3B | 80 BPM | ||
Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther) | Jules Massenet, Georges Prêtre, Nicolai Gedda, Orchestre de Paris | F Major | 1 | 7B | 177 BPM | ||
Ponchielli: La Gioconda, Act 2: "L'amo come il fulgor del creato!" (Laura, Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Fiorenza Cossotto, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 181 BPM | ||
Puccini: La rondine, Act 3: "Figliuolo tu mi dici" (Ruggero, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Bizet: Carmen, Act 1: "Mais nous ne voyons pas la Carmencita!" "Quand je vous aimerai?" (Jeunes gens, Dragons, Cigarières, Carmen) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor des Deutschen Staatsoper, Chor und Kinderchor der Deutschen Staatsoper Berlin, Eberhard Friedrich, Magdalena Kozená, Vinzenz Weissenburger | F Minor | 1 | 4A | 86 BPM | ||
Il barbiere di Siviglia / Act 1: Fredda ed immobile | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | A♭ Major | 2 | 4B | 83 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
Norma / Act 1: Sediziose voci, voci di guerra | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 1 | 3B | 69 BPM | ||
Rusalka, Op. 114 / Act 3: Ze se bojís? Tresky, plesky | Antonín Dvořák, Ivan Kusnjer, Zdena Kloubová, Dolora Zajick, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 130 BPM | ||
Rusalka, Op. 114 / Act 2: Vidis je, vidis? Jsou tu zas | Antonín Dvořák, Renée Fleming, Eva Urbanova, Ben Heppner, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 94 BPM |
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