"Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost"" by Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov was released on January 1, 1993. With Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tchaikovsky: Eugene Onegin". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" by Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
La Traviata / Act 2: "Dammi tu forza, o cielo!" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Bavarian State Orchestra, Carlos Kleiber | G Minor | 0 | 6A | 124 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest" | Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 128 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Introduction and Scene. "Nu, zaboltalas ya!" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Irina Arkhipova, Orchestre de Paris, Semyon Bychkov | C Major | 3 | 8B | 80 BPM | ||
Tosca: Act I: Recondita armonia (Cavaradossi, Il Sagrestano) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
La traviata / Act 2: "Un dì, quando le veneri" | Giuseppe Verdi, Dmitri Hvorostovsky, Kiri Te Kanawa, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | D♭ Major | 1 | 3B | 91 BPM | ||
Puccini: Il tabarro: "Hai ben ragione, meglio non pensare" (Luigi) | Giacomo Puccini, Neil Shicoff/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | C Minor | 2 | 5A | 170 BPM | ||
Brockes Passion, HWV 48: Chi sprezzando | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 109 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 2: Introduction, Scene and Aria. "Nu, shto zhe?" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Sergei Zadvorny, Orchestre de Paris, Semyon Bychkov | E Minor | 0 | 9A | 86 BPM |
Section: 1.1072821617126465
End: 1.1131179332733154