- BPM
- 170
- Key
- C Minor
- Camelot
- 5A
Puccini: Il tabarro: "Hai ben ragione, meglio non pensare" (Luigi) - Giacomo Puccini, Neil Shicoff/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra Information
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 22%
- Instrumentalness
- 1%
- Liveness
- 45%
- Loudness
- 70%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 2%
- Loudness
- -18.066 dB
Summary
"Puccini: Il tabarro: "Hai ben ragione, meglio non pensare" (Luigi)" by Giacomo Puccini, Neil Shicoff/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra was released on February 23, 1999. The duration of Puccini: Il tabarro: "Hai ben ragione, meglio non pensare" (Luigi) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Puccini: Il tabarro: "Hai ben ragione, meglio non pensare" (Luigi)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 58 in the song's album "Puccini: Il trittico". In this album, this song's track order is #7. The popularity of Puccini: Il tabarro: "Hai ben ragione, meglio non pensare" (Luigi) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Puccini: Il tabarro: "Hai ben ragione, meglio non pensare" (Luigi) BPM
With Puccini: Il tabarro: "Hai ben ragione, meglio non pensare" (Luigi) by Giacomo Puccini, Neil Shicoff/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Puccini: Il tabarro: "Hai ben ragione, meglio non pensare" (Luigi) Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Conte) | Gioachino Rossini, James Levine, Beverly Sills, Nicolai Gedda, Renato Capecchi, Sherrill Milnes, London Symphony Orchestra | C Major | 2 | 8B | 91 BPM | |
 | Manon Lescaut / Act 1: La tua Proserpina | Giacomo Puccini, Ramón Vargas, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | F Major | 1 | 7B | 87 BPM | |
 | La fanciulla del West: Ch'ella mi creda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 6 | 7B | 103 BPM | |
 | Madama Butterfly : Addio, Fiorito Asil | Slovak Radio Symphony Orchestra, Peter Dvorsky, Giuseppe Giacosa, Giacomo Puccini, Luigi Illica | D♭ Major | 3 | 3B | 82 BPM | |
 | La Gioconda / Act 4: "Suicidio! In questi fieri momenti" | Amilcare Ponchielli, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Minor | 1 | 11A | 97 BPM | |
 | Norma / Act 1: Oh! di qual sei tu vittima | Vincenzo Bellini, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 122 BPM | |
 | La bohème / Act 3: "Musetta! O gioia della mia dimora! - Testa adorata" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 3 | 5B | 70 BPM | |
 | Tosca: Act III: E lucevan le stelle … (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Che cosa accadde, signori miei (Figaro/Bartolo/Conte/Rosina/Berta/Basilio/Coro/Uffiziale) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 3 | 7B | 125 BPM | |
 | La Cenerentola / Act 1: "Signor, una parola" | Gioachino Rossini, Teresa Berganza, Paolo Montarsolo, Renato Capecchi, Luigi Alva, Ugo Trama, London Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 127 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6401114463806152
End: 0.6448309421539307