"Manon Lescaut / Act 1: La tua Proserpina" by Giacomo Puccini, Ramón Vargas, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine was released on January 1, 1993. The duration of Manon Lescaut / Act 1: La tua Proserpina is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Manon Lescaut / Act 1: La tua Proserpina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #9. Manon Lescaut / Act 1: La tua Proserpina is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 1: La tua Proserpina by Giacomo Puccini, Ramón Vargas, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 3: Della vendetta alfin giunge l'istante (Rigoletto, Sparafucile, Duca) | Giuseppe Verdi, Vladimir Chernov, Roberto Scandiuzzi, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A Major | 9 | 11B | 99 BPM | ||
La Bohème / Act 3: "Sa dirmi, scusi" | Giacomo Puccini, Mirella Freni, Hans-Dieter Appell, Hans-Dietrich Pohl, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 95 BPM | ||
Pagliacci / Act 1: "Un grande spettacolo!" | Ruggero Leoncavallo, Luciano Pavarotti, Westminster Symphonic Choir, Philadelphia Boys Choir, Juan Pons, Philadelphia Orchestra, Riccardo Muti | C Major | 2 | 8B | 95 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "E Susanna non vien!" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 98 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ah, qual colpo inaspettato! (Figaro/Conte/Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 2 | 7B | 134 BPM | ||
Turandot / Act 3: Liù! Liù! Sorgi! Sorgi! | Giacomo Puccini, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D♭ Major | 1 | 3B | 98 BPM | ||
L'anima ho stanca... from Act II of Adriana Lecouvreur - Voice | Francesco Cilea, Plácido Domingo, James Levine, Philharmonia Orchestra | E Minor | 3 | 9A | 80 BPM | ||
Manon Lescaut / Act 2: Paga costor! | Giacomo Puccini, Mirella Freni, Dwayne Croft, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 74 BPM |
Section: 0.600461483001709
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