Gioachino Rossini, James Levine, Beverly Sills, Nicolai Gedda, Renato Capecchi, Sherrill Milnes, London Symphony Orchestra made "Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Conte)" available on 1975. The duration of Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Conte) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Conte)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Rossini: The Barber of Seville". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Conte) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Bravo, signor barbiere, ma bravo!" (Bartolo, Figaro, Rosina, Conte) by Gioachino Rossini, James Levine, Beverly Sills, Nicolai Gedda, Renato Capecchi, Sherrill Milnes, London Symphony Orchestra having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: Bravo, signor barbiere - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 2 | 8B | 105 BPM | ||
Carmen, Act III, No.23 Duo (continued..): Elle avait pour amant (Escamillo/Don José) | Georges Bizet, Thomas Hampson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E♭ Major | 2 | 5B | 104 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Don Ottavio... son morta!" | Wolfgang Amadeus Mozart, Diana Damrau, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 79 BPM | ||
Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | ||
Carmen, WD 31 / Act I: Introduction: "Sur la place chacun passe" | Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | E Major | 0 | 12B | 79 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Ah, che bella vita!" (Figaro, Conte) | Gioachino Rossini, Alceo Galliera, Luigi Alva, Tito Gobbi, Philharmonia Orchestra | G Major | 3 | 9B | 115 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Susanna, or via, sortite" | Wolfgang Amadeus Mozart, Thomas Hampson, Kiri Te Kanawa, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 147 BPM | ||
L'elisir d'amore / Act 1: "Caro elisir! Sei mio!" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 84 BPM | ||
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
Tosca / Act 2: "Io tenni la promessa..." - "E qual via scegliete?" - "Tosca, finalmente mia!" | Giacomo Puccini, Sherrill Milnes, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | D Major | 1 | 10B | 62 BPM |
Section: 0.8405992984771729
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