- BPM
- 106
- Key
- D Minor
- Camelot
- 7A
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights - Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano Information
- Acousticness
- 97%
- Danceability
- 38%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 13%
- Popularity
- 1%
- Loudness
- -23.254 dB
Summary
"Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights" by Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano was released on 1982. Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. There are a total of 42 in the song's album "Rossini: Il barbiere di Siviglia - The Sony Opera House". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. In terms of popularity, Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights BPM
With Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights by Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights Key
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Paata Burchuladze, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | B♭ Major | 3 | 6B | 76 BPM | |
 | Semiramide: Act II Scene 11: Al mio pregar t'arrendi - L'usato ardir (Semiramide, Arsace, Assur, Oroe) | Gioachino Rossini, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, John Osborn, Andrea Mastroni, Marija Jokovic, Vassilis Kavayas, Raffaele Facciola, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | A♭ Major | 1 | 4B | 63 BPM | |
 | Puccini: Tosca, Act 2: "Se la giurata" (Scarpia, Tosca) | Giacomo Puccini, Tito Gobbi, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | |
 | Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 2 | 7B | 78 BPM | |
 | Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | |
 | Le nozze di Figaro, K. 492 / Act 1: "Cosa sento!...Basilio, in traccia tosto...Giovani" | Wolfgang Amadeus Mozart, Thomas Allen, Lucia Popp, Frederica von Stade, Samuel Ramey, The London Opera Chorus, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 112 BPM | |
 | La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | |
 | L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | |
 | Don Carlos / Act 2: "Au palais des fées" | Giuseppe Verdi, Lucia Valentini Terrani, Ann Murray, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano | A Major | 1 | 11B | 105 BPM |
- ISRC
- USSM10409885
- Label
- L-M Records/RCA Records
Section: 2.2214722633361816
End: 2.225738763809204