Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly made "Il Barbiere di Siviglia: Bravo, signor barbiere - Highlights" available on 1982. The duration of Il Barbiere di Siviglia: Bravo, signor barbiere - Highlights is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Il Barbiere di Siviglia: Bravo, signor barbiere - Highlights's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Rossini: Il barbiere di Siviglia - The Sony Opera House". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Il Barbiere di Siviglia: Bravo, signor barbiere - Highlights is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Il Barbiere di Siviglia: Bravo, signor barbiere - Highlights by Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Die Walkure: Act III Scene 1: Walkurenritt: Hojotoho! Heiaha! (Gerhilde, Helmwige, Waltraute, Schwertleite, Ortlinde, Siegrune, Grimgerde, Rossweisse) | Richard Wagner, Endrik Wottrich, Kwangchul Youn, Albert Dohmen, Eva-Maria Westbroek, Linda Watson, Michelle Breedt, Sonja Muhleck, Anna Gabler, Martina Dike, Simone Schroder, Edith Haller, Wilke te Brummelstroete, Annette Kuttenbaum, Manuela Bress, Bayreuth Festival Orchestra, Christian Thielemann | E Minor | 3 | 9A | 91 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Carmen, Act I, No.3 Choeur des Gamins: Rècit: Une jeune fille charmante (Moralès/Don José)Et la garde descendante rentre chez elle et s'en va (Enfants) | Georges Bizet, Ludovic Tézier/Roberto Alagna/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 126 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM |
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