"Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Don Ottavio... son morta!"" by Wolfgang Amadeus Mozart, Diana Damrau, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin was released on January 1, 2012. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Luca Pisaroni, Diana Damrau, Joyce DiDonato, Rolando Villazón, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin's "Mozart: Don Giovanni" album is number 18 out of 53. On top of that, Germany appears to be the country where this track was created. Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Don Ottavio... son morta!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Don Ottavio... son morta!" by Wolfgang Amadeus Mozart, Diana Damrau, Rolando Villazón, Mahler Chamber Orchestra, Yannick Nézet-Séguin to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La Bohème, Act 3: "D'onde lieta usci" (Mimi) | Giacomo Puccini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | ||
La Bohème / Act 4: "Gavotta" - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | B♭ Major | 2 | 6B | 74 BPM | ||
La Bohème / Act 1: "Questo Mar Rosso" - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | F Major | 2 | 7B | 92 BPM | ||
Die Zauberflöte, K. 620 / Act 1: "Zum Leiden bin ich auserkoren" | Wolfgang Amadeus Mozart, Albina Shagimuratova, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 141 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 1: Cavatina - Porgi Amor | Donato Di Stefano, Ingrid Kertesi, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 109 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Jetzt, Alter, hat es Eile! | Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
La Bohème / Act 3: "Mimì è tanto malata!" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | D♭ Major | 3 | 3B | 76 BPM | ||
Die Zauberflöte, K. 620, Act I: Allegro maestoso - Es lebe Sarastro, Sarastro lebe! | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | B♭ Minor | 1 | 3A | 85 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Seid uns zum zweiten Mal willkommen (Knaben) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | A Major | 0 | 11B | 67 BPM |
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