"La Bohème / Act 4: "Gavotta" - Live" by Giacomo Puccini, Rolando Villazón, Boaz Daniel, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy was released on January 1, 2008. With La Bohème / Act 4: "Gavotta" - Live being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Puccini: La Bohème". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. La Bohème / Act 4: "Gavotta" - Live is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Bohème / Act 4: "Gavotta" - Live by Giacomo Puccini, Rolando Villazón, Boaz Daniel, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia: Largo al factotum - Remastered | Gioachino Rossini, Erich Leinsdorf | C Major | 3 | 8B | 66 BPM | ||
Puccini: Tosca, Act 3 Scene 2: "E lucevan le stelle" (Cavaradossi) | Giacomo Puccini, Marcello Viotti, Muenchner Rundfunkorchester | B Minor | 1 | 10A | 91 BPM | ||
Roméo et Juliet: Je veux vivre (Act I - Waltz Song) - 1993 Remastered Version | Charles Gounod, Mady Mesple, Choeurs et Orchestre de l'Opéra National de Paris, Jean-Pierre Marty, Orchestre Et Choeurs Du Theatre National | G Major | 1 | 9B | 108 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: "Lasci la spina" (Piacere) | George Frideric Handel, Emmanuelle Haïm, Le Concert d'Astrée | E Major | 0 | 12B | 94 BPM | ||
Flotow: Martha / Act 3 - "M'appari" | Luciano Pavarotti, Richard Bonynge, New Philharmonia Orchestra | E Major | 3 | 12B | 125 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | D♭ Major | 1 | 3B | 104 BPM | ||
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | F♯ Minor | 2 | 11A | 84 BPM |
Section: 0.7720890045166016
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