- BPM
- 67
- Key
- A Major
- Camelot
- 11B
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Seid uns zum zweiten Mal willkommen (Knaben) - Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch Information
- Acousticness
- 98%
- Danceability
- 40%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 34%
- Popularity
- 11%
- Loudness
- -22.912 dB
Summary
Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch's 'Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Seid uns zum zweiten Mal willkommen (Knaben)' came out on 1973. With Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Seid uns zum zweiten Mal willkommen (Knaben) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Wolfgang Sawallisch's "Mozart: The Magic Flute" album is number 13 out of 44. On top of that, Germany appears to be the country where this track was created. Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Seid uns zum zweiten Mal willkommen (Knaben) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Seid uns zum zweiten Mal willkommen (Knaben) BPM
We consider the tempo marking of Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Seid uns zum zweiten Mal willkommen (Knaben) by Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Seid uns zum zweiten Mal willkommen (Knaben) Key
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Così fan tutte, K. 588 / Act II: "Il core vi dono" | Wolfgang Amadeus Mozart, Adam Plachetka, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 72 BPM | |
 | Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 2: Cavatina - Se Vuol Ballare, Signor Contino | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Jozsef Mukk, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | F Major | 1 | 7B | 134 BPM | |
| Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM | |
 | Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2h. Gloria: Cum Sancto Spiritu | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | |
 | Mozart: Don Giovanni, K. 527, Act 2: "Questo è il fin di chi fa mal!" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Carol Vaness, Cheryl Studer, Frank Lopardo, Natale de Carolis, Samuel Ramey, Susanne Mentzer, Wiener Philharmoniker | F Major | 1 | 7B | 95 BPM | |
 | Le Nozze di Figaro, Act 2: Susanna, or via, sortite | Wolfgang Amadeus Mozart, Kathleen Battle, Riccardo Muti, Wiener Philharmoniker | C Major | 2 | 8B | 129 BPM | |
 | Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): IV. Ordinario - Agnus Dei | Wolfgang Amadeus Mozart, RIAS Kammerchor, Sophie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, René Jacobs, Johannes Weisser, Freiburger Barockorchester | F Major | 1 | 7B | 62 BPM | |
 | Mass in C Major, K. 317 "Coronation": VI. Agnus Dei | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 76 BPM | |
| Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 1: Cavatina - Porgi Amor | Donato Di Stefano, Ingrid Kertesi, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 109 BPM | |
 | Flute Concerto No. 1 in G Major, K. 313: III. Rondo (Tempo di Menuetto) | Wolfgang Amadeus Mozart, Anton Gisler, Werner Tripp, Wiener Philharmoniker, Karl Böhm | G Major | 1 | 9B | 118 BPM |
- ISRC
- DEC628600589
- Label
- L-M Records/RCA Records
Section: 0.7776427268981934
End: 0.7809271812438965