"Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite?" by Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte was released on January 1, 2000. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Donato Di Stefano's "Mozart: Le Nozze Di Figaro, ‘the Marriage Of Figaro’ (Highlights)" album is number 11 out of 23. Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? by Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Messa da Requiem: XII. Domine Jesu Christe | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Carmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM | ||
Mozart: Flute Sonata in B-Flat Major, K. 378: II. Andantino sostenuto e cantabile (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | F Minor | 1 | 4A | 64 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie: Kyrie eleison (II) | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D♭ Major | 1 | 3B | 85 BPM | ||
Requiem, K. 626, III. Sequenz: IV. Recordare | Wolfgang Amadeus Mozart, Annette Markert, Hanno Müller-Brachmann, Sybilla Rubens, Ian Bostridge, Orchestre des Champs-Élysées, Philippe Herreweghe | B♭ Major | 4 | 6B | 120 BPM | ||
Requiem, K. 626: VI. Benedictus | Wolfgang Amadeus Mozart, Sybilla Rubens, Annette Markert, Ian Bostridge, Hanno Müller-Brachmann, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | B♭ Major | 4 | 6B | 120 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben | Ludwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Arietta ¨Voi Che Sapete¨ | Orquesta Sinfónica Y Coro De La RAI De Roma | B♭ Major | 0 | 6B | 111 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Wie? Wie? Wie? Ihr an diesem Schreckensort?" | Wolfgang Amadeus Mozart, Hildegard Hillebrecht, Cvetka Ahlin, Sieglinde Wagner, Fritz Wunderlich, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | C Minor | 1 | 5A | 86 BPM |
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