"Arietta ¨Voi Che Sapete¨" by Orquesta Sinfónica Y Coro De La RAI De Roma was released on December 1, 2008. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Orquesta Sinfónica Y Coro De La RAI De Roma's "Las Bodas De Figaro" album is number 7 out of 14. In terms of popularity, Arietta ¨Voi Che Sapete¨ is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Arietta ¨Voi Che Sapete¨ by Orquesta Sinfónica Y Coro De La RAI De Roma to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Vuelo del Moscardón, Op.57 (De "Casino") | Orquesta Philarmónica de Conciertos | D Minor | 1 | 7A | 152 BPM | ||
La traviata, Act I: Libiamo ne lieti calici | Giuseppe Verdi, Marta Torbidoni, Michail Michailov, Anton Keremidtchiev, Elisabetta Lombardi, Emilia Kircheva, Alexander Baranov, Orfey Petrov, Nikola Ivanov, Peter Petrov, Sofia Philharmonic Orchestra, Ljubka Biagioni | B♭ Major | 1 | 6B | 75 BPM | ||
Carmina Burana: Fortune plango vulnera | Carl Orff, Ross Pople | A Minor | 1 | 8A | 114 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Joseph Calleja, Angela Gheorghiu, Apollo Voices, Orquestra de la Comunitat Valenciana, Ramón Tebar | C Major | 4 | 8B | 80 BPM | ||
Capriccio Espagnol, Op.34: 1. Alborada | Nikolai Rimsky-Korsakov, London Symphony Orchestra, Ataúlfo Argenta | A Major | 4 | 11B | 125 BPM | ||
Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
El Vuelo del Abejorro / Rimsky Kprsakov | Aguilas de Oro | D Minor | 2 | 7A | 154 BPM | ||
Sinfonia De Los Juguetes | Leopold Mozart, Inma Shara | C Major | 2 | 8B | 119 BPM |
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