Capriccio Espagnol, Op.34: 1. Alborada - Nikolai Rimsky-Korsakov, London Symphony Orchestra, Ataúlfo Argenta Information

Acousticness: 28%
Danceability: 48%
Energy: 43%
Instrumentalness: 10%
Liveness: 20%
Loudness: 77%
Speechiness: 6%
Valence: 36%
Popularity: 12%
Loudness: -14.018 dB

Summary

Nikolai Rimsky-Korsakov, London Symphony Orchestra, Ataúlfo Argenta's 'Capriccio Espagnol, Op.34: 1. Alborada' came out on January 1, 1958. With Capriccio Espagnol, Op.34: 1. Alborada being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 15 in Debussy / Granados / Rimsky-Korsakov etc.: Images / Spanish Dance No.5 / Capriccio Espagnol etc. by London Symphony Orchestra, L'Orchestre de la Suisse Romande, Ataúlfo Argenta, Claude Debussy, Emmanuel Chabrier, Enrique Granados, Moritz Moszkowski, Nikolai Rimsky-Korsakov. Based on our statistics, Capriccio Espagnol, Op.34: 1. Alborada's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Capriccio Espagnol, Op.34: 1. Alborada BPM

The tempo marking of Capriccio Espagnol, Op.34: 1. Alborada by Nikolai Rimsky-Korsakov, London Symphony Orchestra, Ataúlfo Argenta is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Capriccio Espagnol, Op.34: 1. Alborada Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	A Major	1	11B	115 BPM
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace	RCA Victor Symphony Orchestra & William Steinberg	A♭ Major	1	4B	88 BPM
The Bartered Bride: Overture	Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek	F Major	2	7B	145 BPM
Kinderszenen, Op. 15: 7. Träumerei	Robert Schumann, Martha Argerich	F Major	0	7B	130 BPM
Tannhauser: Overture	Richard Wagner, Slovak Philharmonic, Michael Halasz	B Major	0	1B	98 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato	RCA Victor Symphony Orchestra & William Steinberg	A Minor	0	8A	96 BPM
Henry VIII: Scherzetto	Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia	B♭ Major	0	6B	92 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	A Minor	2	8A	86 BPM
Le roi s'amuse: Final	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Minor	1	8A	94 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7888109683990479

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