Orquesta Philarmónica de Conciertos made "El Vuelo del Moscardón, Op.57 (De "Casino")" available on March 10, 2014. With El Vuelo del Moscardón, Op.57 (De "Casino") being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Temas Instrumentales de Cine". In this album, this song's track order is #1. Based on our statistics, El Vuelo del Moscardón, Op.57 (De "Casino")'s popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With El Vuelo del Moscardón, Op.57 (De "Casino") by Orquesta Philarmónica de Conciertos having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 49 in F Minor, Hob. I:49 "La passione": II. Allegro di molto | Joseph Haydn, SWR Symphony Orchestra, Ernest Bour | A♭ Major | 2 | 4B | 151 BPM | ||
Sinfonia De Los Juguetes | Leopold Mozart, Inma Shara | C Major | 2 | 8B | 119 BPM | ||
Sinfonía No. 7 in A Major, Op. 92: II. Allegretto | Orquesta Filarmónica De Hamburgo, August Riabel | E Minor | 1 | 9A | 131 BPM | ||
Orchestersuite in D Major, BWV 1068: II. Air | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 114 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Royal Philharmonic Orchestra, Antal Doráti | C Major | 2 | 8B | 144 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
Primavera, RV. 269: III. Allegro | Andante Baroque Consort | E Major | 2 | 12B | 80 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Overture, Act I: Cavatina. Largo al factotum [Vivace] [arr. W. Sedlak] | Gioachino Rossini, Italiano di Fiati, Paolo Pollastri | C Major | 1 | 8B | 98 BPM | ||
Vivaldi: Winter From The Four Seasons 1. Allegro Non Molto | Silverwood Quartet | F Minor | 2 | 4A | 142 BPM |
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