On June 13, 2011, the song "Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Jetzt, Alter, hat es Eile!" was released by Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado. With this song being about 5 minutes long, at 5:13, "Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Jetzt, Alter, hat es Eile!" by Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 30 in Beethoven: Fidelio by Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Mahler Chamber Orchestra, Lucerne Festival Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Jetzt, Alter, hat es Eile! is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Jetzt, Alter, hat es Eile! by Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart | E Major | 4 | 12B | 112 BPM | ||
Die Fledermaus / Act 3: Nr.15 Terzett: "Ich stehe voll Zagen" | Johann Strauss II, Julia Varady, René Kollo, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 3 | 8B | 100 BPM | ||
Das Lied von der Erde: Von der Jugend | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 1 | 6A | 79 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Wie? Wie? Wie?" | Wolfgang Amadeus Mozart, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Hanno Müller-Brachmann, Christoph Strehl, Mahler Chamber Orchestra, Claudio Abbado | G Major | 1 | 9B | 111 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | B♭ Minor | 1 | 3A | 85 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Die Fledermaus / Act 3: Dialog: Täubchen, das entflattert ist | Johann Strauss II, René Kollo, Franz Muxeneder | G Major | 0 | 9B | 100 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Mi tradì quell'alma ingrata" (K540c, Aria) | Wolfgang Amadeus Mozart, Joyce DiDonato, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 1 | 7B | 134 BPM | ||
Il barbiere di Siviglia / Act 1: Recitativo: "Finora in questa camera" - No.9 Finale I: "Ehi, di casa!... buona gente!..." | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Paolo Montarsolo, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | C Major | 2 | 8B | 98 BPM |
Section: 0.6629219055175781
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