Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart made "Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt"" available on January 1, 1976. With Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #1. In terms of popularity, Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Die Fledermaus / Act 2: Nr.6 Introduktion: "Ein Souper heut uns winkt" by Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber, Chor der Bayerischen Staatsoper München, Wolfgang Baumgart having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Turandot: Act III Scene 1: Tu, che di gel sei cinta | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 84 BPM | ||
Parsifal / Act III: "Gesegnet sei, du Reiner, durch das Reine!" - "Wie dünkt mich doch die Aue heut so schön!" | Richard Wagner, Kurt Moll, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 80 BPM | ||
Semiramide: Act II Scene 11: Al mio pregar t'arrendi - L'usato ardir (Semiramide, Arsace, Assur, Oroe) | Gioachino Rossini, Alex Penda, Marianna Pizzolato, Lorenzo Regazzo, John Osborn, Andrea Mastroni, Marija Jokovic, Vassilis Kavayas, Raffaele Facciola, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | A♭ Major | 1 | 4B | 63 BPM | ||
La Bohème / Act 3: "Sa dirmi, scusi" | Giacomo Puccini, Mirella Freni, Hans-Dieter Appell, Hans-Dietrich Pohl, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 95 BPM | ||
Manon (1990 Digital Remaster), Acte II: Ich schloß die Augen (En ferment les yeux) | Hans Müller-Kray, Bavarian State Orchestra | E Minor | 1 | 9A | 74 BPM | ||
Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
Carmen (1997 - Remaster), Act IV: A deux cuartos! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 4 | 9B | 174 BPM |
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