"Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam" by Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis was released on January 1, 1986. The duration of Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis's "Haydn: Nelson Mass" album is number 4 out of 11. On top of that, Netherlands appears to be the country where this track was created. Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam by Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 29. Orchestereinleitung und Rezitativ: "Aus Rosenwolken bricht" | Franz Joseph Haydn, Werner Krenn, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 102 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Mass in B Minor, BWV 232: Cum Sancto Spiritu (Chorus) | Johann Sebastian Bach, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | A♭ Major | 4 | 4B | 102 BPM | ||
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto | Johannes Brahms, Bavarian Radio Symphony Orchestra, Mariss Jansons | C Major | 2 | 8B | 122 BPM | ||
Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Requiem In D Minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann): Requiem (Introitus) - Live | Wolfgang Amadeus Mozart, Marie McLaughlin, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | G Minor | 2 | 6A | 67 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | ||
5 Partsongs from the Greek Anthology, Op. 45: No. 4, It's Oh! To Be a Wild Wind | Edward Elgar, Bavarian Radio Chorus, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
Requiem, K. 626: Sanctus: Sanctus | Wolfgang Amadeus Mozart, Sir Colin Davis, Angela Maria Blasi, Marjana Lipovsek, Uwe Heilmann, Jan-Hendrik Rootering | B Major | 2 | 1B | 100 BPM |
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