Pyotr Ilyich Tchaikovsky, Nuccia Focile, Irina Arkhipova, Orchestre de Paris, Semyon Bychkov made "Eugene Onegin, Op. 24, TH.5 / Act 1: Introduction and Scene. "Nu, zaboltalas ya!"" available on January 1, 1993. Since Eugene Onegin, Op. 24, TH.5 / Act 1: Introduction and Scene. "Nu, zaboltalas ya!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Tchaikovsky: Eugene Onegin". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. Eugene Onegin, Op. 24, TH.5 / Act 1: Introduction and Scene. "Nu, zaboltalas ya!" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Eugene Onegin, Op. 24, TH.5 / Act 1: Introduction and Scene. "Nu, zaboltalas ya!" by Pyotr Ilyich Tchaikovsky, Nuccia Focile, Irina Arkhipova, Orchestre de Paris, Semyon Bychkov having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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