"Rusalka, Op. 114 / Act 2: Vidis je, vidis? Jsou tu zas" by Antonín Dvořák, Renée Fleming, Eva Urbanova, Ben Heppner, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 1998. Since Rusalka, Op. 114 / Act 2: Vidis je, vidis? Jsou tu zas is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 30 in Dvorák: Rusalka by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Rusalka, Op. 114 / Act 2: Vidis je, vidis? Jsou tu zas is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op. 114 / Act 2: Vidis je, vidis? Jsou tu zas by Antonín Dvořák, Renée Fleming, Eva Urbanova, Ben Heppner, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
Les Contes d'Hoffmann / Act 2: "Voici les valseurs!" | Jacques Offenbach, Gérard Friedmann, Paul Crook, Plácido Domingo, Edita Gruberova, Claudia Eder, Gabriel Bacquier, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | G Major | 3 | 9B | 69 BPM | ||
Rusalka, Op. 114 / Act 3: Aj, aj? Uz jsi se navrátila | Antonín Dvořák, Dolora Zajick, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 87 BPM | ||
Puts: The Hours, Act 1: "Clarissa! - Barbara!" (Barbara, Clarissa, Chorus, Virginia, Leonard) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kathleen Kim, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Manfred Symphony, Op. 58, TH.28: 2. Vivace con spirito | Pyotr Ilyich Tchaikovsky, Czech Philharmonic Orchestra, Semyon Bychkov | C Major | 3 | 8B | 96 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
La traviata / Act 1: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A♭ Major | 4 | 4B | 103 BPM | ||
Parsifal / Act 1: "Recht so! Habt Dank! Ein wenig Rast!" - "Gawan! - Herr! Gawan weilte nicht!" | Richard Wagner, José van Dam, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 77 BPM | ||
Carmen / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 128 BPM | ||
Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | G Major | 1 | 9B | 137 BPM |
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