Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge made "Lucia di Lammermoor / Act 1: "La pietade in suo favore"" available on January 1, 1972. The duration of Lucia di Lammermoor / Act 1: "La pietade in suo favore" is about 3 minutes long, at 3:29. Based on our data, "Lucia di Lammermoor / Act 1: "La pietade in suo favore"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Lucia di Lammermoor / Act 1: "La pietade in suo favore"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Lucia di Lammermoor / Act 1: "La pietade in suo favore" by Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bohème / Act 2: "Quando m'en vo" | Giacomo Puccini, Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 81 BPM | ||
Madama Butterfly / Act 1: Sorride Vostro Onore? | Giacomo Puccini, Christa Ludwig, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 105 BPM | ||
Semiramide / Act 1: "Serbami ognor" | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 131 BPM | ||
Turandot: Act III Scene 1: Tu, che di gel sei cinta | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Tannhäuser - Paris version / Act II: "Freudig begrüßen wir die edle Halle" | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | B Major | 2 | 1B | 122 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
La Cenerentola / Act 1: "Scegli la sposa" - "Come un'ape" - "Prence..." "Sire" | Gioachino Rossini, Alessandro Corbelli, Fernanda Costa, Gloria Banditelli, Enzo Dara, William Matteuzzi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
Mascagni: L'amico Fritz, Act 2 Scene 2: Duetto delle ciliege, "Suzel, buon dì" (Fritz, Suzel) | Pietro Mascagni, Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | A Major | 1 | 11B | 76 BPM |
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