Gioachino Rossini, Alessandro Corbelli, Fernanda Costa, Gloria Banditelli, Enzo Dara, William Matteuzzi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly made "La Cenerentola / Act 1: "Scegli la sposa" - "Come un'ape" - "Prence..." "Sire"" available on January 1, 1993. Since La Cenerentola / Act 1: "Scegli la sposa" - "Come un'ape" - "Prence..." "Sire" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 1: "Scegli la sposa" - "Come un'ape" - "Prence..." "Sire"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Cenerentola / Act 1: "Scegli la sposa" - "Come un'ape" - "Prence..." "Sire" by Gioachino Rossini, Alessandro Corbelli, Fernanda Costa, Gloria Banditelli, Enzo Dara, William Matteuzzi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492, Act I: Recitativo. Evviva! | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Nuccia Focile, Susanne Mentzer, Ryland Davies, Alessandro Corbelli, Alastair Miles | A♭ Major | 1 | 4B | 83 BPM | ||
Il viaggio a Reims - Dramma giocoso in un atto: No. 2 Recitativo e Aria - "Grazie vi rendo, o Dei!" | Gioachino Rossini, Claudio Abbado, Berliner Philharmoniker, Rundfunkchor Berlin, Luciana Serra, Enzo Dara | D Major | 2 | 10B | 111 BPM | ||
Le nozze di Figaro, K. 492, Act III: Duetto. Crudel! Perchè finora | Wolfgang Amadeus Mozart, Scottish Chamber Orchestra, Sir Charles Mackerras, Nuccia Focile, Alessandro Corbelli | A♭ Major | 1 | 4B | 83 BPM | ||
Turandot / Act 1: Popolo di Pechino! (Un Mandarino, Coro) | Giacomo Puccini, Siegmund Nimsgern, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B♭ Minor | 2 | 3A | 82 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Va, crudele, al Dio spietato" | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
Rossini: Il Barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Nicola Zaccaria, Philharmonia Orchestra | C Major | 2 | 8B | 103 BPM | ||
La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Messa di Requiem, Dies irae: Recordare | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | F Major | 1 | 7B | 75 BPM | ||
Carmen / Act 1: Ma Mère, je la vois! | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM |
Section: 0.7300570011138916
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