"Catulli Carmina: Exodium: Chorus: Eis aiona" by Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum was released on January 1, 2002. With Catulli Carmina: Exodium: Chorus: Eis aiona being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 39 in the song's album "Orff: Carmina burana; Catulli Carmina; Trionfo d'Afrodite". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Catulli Carmina: Exodium: Chorus: Eis aiona is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Catulli Carmina: Exodium: Chorus: Eis aiona by Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dukas: L'apprenti sorcier (Excerpt) | Paul Dukas, Oslo Philharmonic Orchestra, Mariss Jansons | D♭ Major | 5 | 3B | 117 BPM | ||
Messe solennelle de Sainte Cécile (1988 Digital Remaster): Sanctus | Charles Gounod, Pilar Lorengar/Heinz Hoppe/Franz Crass/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/Jean-Claude Hartemann, Jean-Claude Hartemann, Orchestre De La Société Des Concerts Du Conservatoire | B Minor | 2 | 10A | 77 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
Frühlingsstimmen, Op. 410 | Johann Strauss II, Wiener Philharmoniker, Clemens Krauss | F♯ Minor | 2 | 11A | 76 BPM | ||
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 118 BPM | ||
L'Orfeo: Toccata | Claudio Monteverdi, Jordi Savall, Le Concert Des Nations | F♯ Minor | 3 | 11A | 129 BPM | ||
Carmina Burana / Blanziflor et Helena: "Ave formosissima" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Minor | 2 | 7A | 135 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): IX. In taberna quando sumus (When we are in the tavern) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Major | 2 | 11B | 148 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM |
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