Paul Dukas, Oslo Philharmonic Orchestra, Mariss Jansons's 'Dukas: L'apprenti sorcier (Excerpt)' came out on March 29, 2013. Since Dukas: L'apprenti sorcier (Excerpt) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Komponisten, die man gehört haben muss, so we believe that "Dukas: L'apprenti sorcier (Excerpt)" is a single. In terms of popularity, Dukas: L'apprenti sorcier (Excerpt) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dukas: L'apprenti sorcier (Excerpt) by Paul Dukas, Oslo Philharmonic Orchestra, Mariss Jansons is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodeo: V. Hoe Down | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | D Major | 2 | 10B | 120 BPM | ||
Festive Overture, Op. 96 | Dmitri Shostakovich, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | A Major | 3 | 11B | 76 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 136 BPM | ||
Pizzicato Polka, Op. 234 | Johann Strauss II, Peter Falk, Vienna Volksoper Orchestra | C Major | 0 | 8B | 155 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Radetzky-March, Op. 228 | Johann Strauss I, Hungarian State Orchestra, Janos Ferencsik | A Major | 3 | 11B | 102 BPM | ||
Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | ||
Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
Mussorgsky: Pictures at an Exhibition: I. Promenade | Modest Mussorgsky, James Conlon, James Colon, Rotterdams Philharmonisch Orkest | F Major | 1 | 7B | 87 BPM |
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