Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise's 'Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus)' came out on 1960. With this song being about 5 minutes long, at 4:35, "Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus)" by Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 43 in Bizet: Carmen by Georges Bizet, Victoria de los Ángeles. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bizet: Carmen, WD 31, Act 1 Scene 4: Récitatif, "Quand je vous aimerai?" - No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) by Georges Bizet, Victoria de los Ángeles, Orchestre National Radiodiffusion Française, Sir Thomas Beecham, Orchestre National de la Radiodiffusion-Television Francaise is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mascagni: L'amico Fritz, Act 2 Scene 2: Duetto delle ciliege, "Suzel, buon dì" (Fritz, Suzel) | Pietro Mascagni, Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | A Major | 1 | 11B | 76 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Carmina Burana / 1. Primo vere: "Omnia Sol temperat" | Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti | G Minor | 0 | 6A | 95 BPM | ||
Servants' Chorus (Don Pasquale) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | A Major | 1 | 11B | 137 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
Cinco Canciones Negras: 4. Canción de cuna para dormir a un negrito | Xavier Montsalvatge, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D♭ Major | 0 | 3B | 178 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante, nous arrivons, nous voilà! "(Chorus) | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse | F Major | 1 | 7B | 130 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano | D♭ Major | 1 | 3B | 92 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM |
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