"Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux" by Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes was released on April 5, 2011. The duration of Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux is about 3 minutes long, at 3:18. Based on our data, "Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Peter Mattei, Lawrence Renes, Royal Stockholm Philharmonic Orchestra's "Mattei, Peter: Great Baritone Arias" album is number 5 out of 15. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Faust, CG 4, Faust, Act I: Cavatina. Avant de quitter ces lieux by Charles Gounod, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | ||
Frühlingsglaube, D. 686b | Franz Schubert, Renée Fleming, Christoph Eschenbach | A♭ Major | 0 | 4B | 175 BPM | ||
Nel cor più non mi sento | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 138 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Le Conseiller Lindorf, morbleu! (Lindorf/Andrès) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | F♯ Major | 0 | 2B | 97 BPM | ||
Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: II. Muttertändelei | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | F Major | 1 | 7B | 78 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Giulio Cesare / Act 2: "V'adoro, pupille" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 1 | 12B | 72 BPM |
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