Giuseppe Verdi, Ambrosian Opera Chorus/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra's 'Il Trovatore (Act II): Vedi! le fosche (Anvil Chorus)' came out on 1993. The duration of Il Trovatore (Act II): Vedi! le fosche (Anvil Chorus) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Il Trovatore (Act II): Vedi! le fosche (Anvil Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 33 in Classic Experience IV by Various Artists. Based on our statistics, Il Trovatore (Act II): Vedi! le fosche (Anvil Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Trovatore (Act II): Vedi! le fosche (Anvil Chorus) by Giuseppe Verdi, Ambrosian Opera Chorus/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dinorah, '(Le) pardon de Ploërmel' (1997 Digital Remaster): Ombre légère (Shadow Song) | Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 135 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Dresden State Opera Chorus, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | E♭ Major | 2 | 5B | 115 BPM | ||
La Traviata / Act 2: "Alfredo, Alfredo, di questo core" | Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Sherrill Milnes, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Carlos Kleiber, Bavarian State Orchestra | E♭ Major | 2 | 5B | 78 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 75 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM |
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