"Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta)" by Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra was released on 1954. The duration of Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 11 in Callas sings Operatic Arias by Puccini - Callas Remastered by Giacomo Puccini, Maria Callas. Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) by Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM | ||
Lakmé: Sous le dome épais (Flower duet) | Heather Begg, Glenys Fowles | B Major | 1 | 1B | 169 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D♭ Major | 2 | 3B | 73 BPM | ||
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Verdi: La traviata, Act 1: "Libiamo ne' lieti calici" (Alfredo, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Chorus) | Giuseppe Verdi, Riccardo Muti, Alfredo Kraus, Henry Newman, Renata Scotto, Richard van Allan, Roderick Kennedy, Sarah Walker, Suso Mariategui, Philharmonia Orchestra | B♭ Major | 2 | 6B | 71 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
On the Beautiful Blue Danube, Op. 314 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | D Major | 0 | 10B | 94 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM |
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