Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Il barbiere di Siviglia: Overture (Sinfonia)' came out on January 1, 2003. Since Il barbiere di Siviglia: Overture (Sinfonia) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "Rossini: Complete Overtures". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Il barbiere di Siviglia: Overture (Sinfonia) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia: Overture (Sinfonia) by Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Charlie Siem, Paul Goodwin | E Major | 1 | 12B | 95 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
Pachelbel: Canon and Gigue in D Major: Canon | Johann Pachelbel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 84 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
Holberg Suite, Op.40: 1. Präludium (Allegro vivace) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 142 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM |
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