"Wagner: Tristan und Isolde, WWV 90, Act 1 Scene 2: "Frisch weht er Wind der Heimat zu" (Der junge Seemann)" by Richard Wagner, Rudolf Schock, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Wilhelm Furtwängler was released on 1953. With Wagner: Tristan und Isolde, WWV 90, Act 1 Scene 2: "Frisch weht er Wind der Heimat zu" (Der junge Seemann) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Wagner: Tristan und Isolde by Richard Wagner, Wilhelm Furtwängler, Philharmonia Orchestra. The song's track number on the album is #5 out of 82 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Wagner: Tristan und Isolde, WWV 90, Act 1 Scene 2: "Frisch weht er Wind der Heimat zu" (Der junge Seemann) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Tristan und Isolde, WWV 90, Act 1 Scene 2: "Frisch weht er Wind der Heimat zu" (Der junge Seemann) by Richard Wagner, Rudolf Schock, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Wilhelm Furtwängler has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Tristan und Isolde, WWV 90, Act 1 Scene 2: "Frisch weht er Wind der Heimat zu" (Der junge Seemann) being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 2: O mondo, O mondo | Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 10 | 10B | 132 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2 Scene 30: "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro, Chorus) | Wolfgang Amadeus Mozart, Gottlob Frick/Philharmonia Chorus/Philharmonia Orchestra/Otto Klemperer/Wilhelm Pitz, Otto Klemperer, Philharmonia Orchestra | C Major | 8 | 8B | 120 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" | Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 85 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM | ||
Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" | Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 168 BPM | ||
Parsifal, WWV 111 / Act 2: "Komm, holder Knabe!" | Richard Wagner, Barbara Hendricks, Janet Perry, Inga Nielsen, Doris Soffel, Audrey Michael, Rohangiz Yachmi, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D♭ Major | 1 | 3B | 88 BPM | ||
Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | B♭ Major | 2 | 6B | 82 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Symphony of Psalms: III. Psalm 150 (entire) | Igor Stravinsky, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | B♭ Major | 0 | 6B | 109 BPM | ||
Messa di Gloria, Op.posth., Credo: Crucifuxus etiam pro nobis | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 0 | 5A | 134 BPM |
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