"Symphony of Psalms: III. Psalm 150 (entire)" by Igor Stravinsky, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft was released on October 31, 2006. Symphony of Psalms: III. Psalm 150 (entire) appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "Stravinsky: Mass - Cantata - Symphony of Psalms". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Symphony of Psalms: III. Psalm 150 (entire) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony of Psalms: III. Psalm 150 (entire) by Igor Stravinsky, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: VII. Floret silva | Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 81 BPM | ||
Symphonies of Wind Instruments (original 1920 version) | Igor Stravinsky, Twentieth Century Classics Ensemble, Robert Craft | G Minor | 1 | 6A | 170 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | G Minor | 0 | 6A | 83 BPM | ||
Le rossignol (The Nightingale): Scene 1 (The Forest at Dawn): Nightingale's Aria | Igor Stravinsky, Olga Trifonova, Robert Tear, Pippa Longworth, Paul Whelan, Stephen Richardson, Andrew Greenan, Sally Burgess, Peter Hall, Simon Preece, London Voices, Philharmonia Orchestra, Robert Craft | F♯ Major | 1 | 2B | 66 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Carmina Burana: XVI. Dies, nox et omnia | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 93 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 2 | 4B | 109 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM |
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