"Carmina Burana: VII. Floret silva" by Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra was released on January 1, 2005. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #7. Carmina Burana: VII. Floret silva is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: VII. Floret silva by Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mother Goose: I. Prélude | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 84 BPM | ||
Requiem: VIII. Ingemisco | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Stuart Neill | E♭ Major | 0 | 5B | 86 BPM | ||
Eine Alpensinfonie: IV. Auf der Alm - Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 77 BPM | ||
Eine Alpensinfonie: VI. Auf dem Gipfel | Richard Strauss, Bernard Haitink, London Symphony Orchestra | C Major | 1 | 8B | 78 BPM | ||
Mater et filia für Frauenchor a cappella, Musik für Kinder III Nr. 30, Carl Orff 1953 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | B♭ Major | 1 | 6B | 76 BPM | ||
Prince Igor (Knyaz Igor): Act I: Greshno tait': ya skuki nye lyublyu (I don't like boredom) (Galitzky) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | B Major | 4 | 1B | 84 BPM | ||
The Peacemakers: XIII. The Peace Prayer Of St Francis Of Assisi | Karl Jenkins, London Symphony Orchestra, City of Birmingham Symphony Youth Chorus, Simon Halsey, Rundfunkchor Berlin | D Minor | 2 | 7A | 87 BPM | ||
Requiem: V. Quid Sum Miser | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Christine Brewer, London Symphony Orchestra, Karen Cargill | C Minor | 0 | 5A | 82 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore...M'odi, ritorna a casa" | Giuseppe Verdi, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 89 BPM |
Section: 1.1955997943878174
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