Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti made "Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied"" available on January 1, 1972. The duration of Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" is about 3 minutes long, at 3:03. Based on our data, "Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gustav Mahler, Heather Harper, Lucia Popp, Arleen Auger, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti's "Mahler: Symphony No.8" album is number 10 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Gerettet ist das edle Glied" by Gustav Mahler, Wiener Singverein, Vienna State Opera Chorus, Vienna Boys' Choir, Chicago Symphony Orchestra, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: 6 Lieder, Op. 56: No. 6, Die heiligen drei Könige (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 1 | 8B | 175 BPM | ||
Der Freischütz, J. 277 / Act 3: "Ein herrliches Jagdwetter!" | Carl Maria von Weber, Friedrich Wilhelm Junge, August Hütten, Achim Schmidtchen, Hans Jörn Weber, Gerhard Paul | G Minor | 2 | 6A | 79 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter | Gustav Mahler, Otto Klemperer, Elisabeth Schwarzkopf, Hilde Rössel Majdan, The Philharmonia Chorus, Philharmonia Orchestra | A♭ Major | 0 | 4B | 124 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Blicket auf zum Retterblick | Gustav Mahler, Simon O'Neill, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 2 | 5B | 84 BPM | ||
Symphony No. 3 in D Minor: II. Tempo di menuetto. Sehr massig | Gustav Mahler, Catherine Wyn-Rogers, Royal Liverpool Philharmonic Choir, Liverpool Philharmonic Youth Choir, Royal Liverpool Philharmonic Orchestra, Gerard Schwarz | B♭ Major | 1 | 6B | 62 BPM | ||
Carmina Burana / 3. Cour d'amours: "Stetit puella" | Carl Orff, June Anderson, Chicago Symphony Orchestra, James Levine | D Minor | 2 | 7A | 135 BPM | ||
5 Kleine Lieder, Op. 69, TrV 237: No. 3. Einerlei | Richard Strauss, Adrianne Pieczonka, Brian Zeger | C Major | 1 | 8B | 135 BPM | ||
Pelléas et Mélisande, CD 93, Act II: Oui, c'est ici, nous y sommes | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 0 | 6B | 88 BPM | ||
Wagner: Tannhäuser, Act 3: "Ich hörte Harfeschlag" (Tannhäuser, Wolfram) | Richard Wagner, Daniel Barenboim, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | C Minor | 0 | 5A | 64 BPM | ||
Rusalka, Op. 114 / Act 1: Hastrmánku, taticku! | Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 72 BPM |
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