"5 Kleine Lieder, Op. 69, TrV 237: No. 3. Einerlei" by Richard Strauss, Adrianne Pieczonka, Brian Zeger was released on July 10, 2015. The duration of 5 Kleine Lieder, Op. 69, TrV 237: No. 3. Einerlei is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. 5 Kleine Lieder, Op. 69, TrV 237: No. 3. Einerlei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "R. Strauss & Wagner: Lieder". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, 5 Kleine Lieder, Op. 69, TrV 237: No. 3. Einerlei's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Kleine Lieder, Op. 69, TrV 237: No. 3. Einerlei by Richard Strauss, Adrianne Pieczonka, Brian Zeger having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Elektra: Xiv. Platz da! Wer lungert so vor einer Tür? | Hugo von Hofmannsthal, Richard Strauss, Sonny Wallentin, Bengt Lindberger, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris) | Gustav Holst, Ulster Orchestra, Joann Falletta | G Major | 1 | 9B | 133 BPM | ||
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM |
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