The Rite of Spring: Part One: Adoration of the Earth: Introduction
Igor Stravinsky, Teodor Currentzis, musicAeterna
Stravinsky: Le Sacre du Printemps
3:28 October 9, 2015
BPM
87
Key
B Minor
Camelot
10A

Embed

Share Link

The Rite of Spring: Part One: Adoration of the Earth: Introduction - Igor Stravinsky, Teodor Currentzis, musicAeterna Information

Acousticness
95%
Danceability
10%
Energy
2%
Instrumentalness
85%
Liveness
7%
Loudness
50%
Speechiness
5%
Valence
3%
Popularity
Loudness
-30.172 dB

Summary

"The Rite of Spring: Part One: Adoration of the Earth: Introduction" by Igor Stravinsky, Teodor Currentzis, musicAeterna was released on October 9, 2015. The duration of The Rite of Spring: Part One: Adoration of the Earth: Introduction is about 3 minutes long, at 3:28. Based on our data, "The Rite of Spring: Part One: Adoration of the Earth: Introduction" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Stravinsky: Le Sacre du Printemps". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The Rite of Spring: Part One: Adoration of the Earth: Introduction is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Rite of Spring: Part One: Adoration of the Earth: Introduction BPM

With The Rite of Spring: Part One: Adoration of the Earth: Introduction by Igor Stravinsky, Teodor Currentzis, musicAeterna having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

The Rite of Spring: Part One: Adoration of the Earth: Introduction Key

This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: I. Animé et très décidé by Claude Debussy, Belcea QuartetDebussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: I. Animé et très décidéClaude Debussy, Belcea QuartetE♭ Major15B112 BPM
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante by Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří BělohlávekVariations on a Rococo Theme, Op. 33, TH 57: Var: VI. AndantePyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří BělohlávekD Major010B114 BPM
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam by Gustav Mahler, Daniel Barenboim, Chicago Symphony OrchestraMahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsamGustav Mahler, Daniel Barenboim, Chicago Symphony OrchestraF Major17B82 BPM
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo by Dmitri Shostakovich, Leonard Bernstein, New York PhilharmonicSymphony No. 5 in D Minor, Op. 47: IV. Allegro non troppoDmitri Shostakovich, Leonard Bernstein, New York PhilharmonicB♭ Major46B106 BPM
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song)Felix Mendelssohn, Péter NagyG Minor06A72 BPM
Appalachian Spring: VII. Doppio movimento by Aaron Copland, Leonard Bernstein, New York PhilharmonicAppalachian Spring: VII. Doppio movimentoAaron Copland, Leonard Bernstein, New York PhilharmonicD♭ Major13B78 BPM
Symphonie fantastique, Op. 14: II. Un bal by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: II. Un balHector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingA Major111B107 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo by Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsDouble Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppoJohannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsA Minor28A86 BPM
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsLove's Labour's Lost, Op. 28a: III. Dumaine's PoemGerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsG Minor16A105 BPM
La nativité du Seigneur: 7. Jésus accepte la souffrance by Olivier Messiaen, Olivier LatryLa nativité du Seigneur: 7. Jésus accepte la souffranceOlivier Messiaen, Olivier LatryF Major07B85 BPM
ISRC
USSM11504519
Label
L-M Records/RCA Records

Section: 0.8047783374786377

End: 0.810966968536377