Carmina Burana / 3. Cour d'amours: "Stetit puella"
Carl Orff, June Anderson, Chicago Symphony Orchestra, James Levine
Orff: Carmina Burana
2:36 January 1, 1985
BPM
135
Key
D Minor
Camelot
7A

Embed

Share Link

Carmina Burana / 3. Cour d'amours: "Stetit puella" - Carl Orff, June Anderson, Chicago Symphony Orchestra, James Levine Information

Acousticness
91%
Danceability
41%
Energy
16%
Instrumentalness
0%
Liveness
18%
Loudness
74%
Speechiness
4%
Valence
47%
Popularity
Loudness
-15.491 dB

Summary

Carl Orff, June Anderson, Chicago Symphony Orchestra, James Levine made "Carmina Burana / 3. Cour d'amours: "Stetit puella"" available on January 1, 1985. The duration of Carmina Burana / 3. Cour d'amours: "Stetit puella" is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Carmina Burana / 3. Cour d'amours: "Stetit puella"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carmina Burana / 3. Cour d'amours: "Stetit puella"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Carmina Burana / 3. Cour d'amours: "Stetit puella" BPM

With Carmina Burana / 3. Cour d'amours: "Stetit puella" by Carl Orff, June Anderson, Chicago Symphony Orchestra, James Levine having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Carmina Burana / 3. Cour d'amours: "Stetit puella" Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Má vlast, JB 1:112: II. Vltava, Má vlast, JB 1:112: II. Vltava, "The Moldau"Bedřich Smetana, Gustav Kuhn, Bamberg SymphonyC Major48B128 BPM
Carmina Burana: Fortuna Imperatix Mundi: Fortune plango Vulnera by Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Celestina Casapietra, Horst Hiestermann, Karl-Heinz Stryczek, MDR Leipzig Radio Chorus, Dresdner Kapellknaben, Konrad Wagner, Herbert KegelCarmina Burana: Fortuna Imperatix Mundi: Fortune plango VulneraCarl Orff, Rundfunk-Sinfonieorchester Leipzig, Celestina Casapietra, Horst Hiestermann, Karl-Heinz Stryczek, MDR Leipzig Radio Chorus, Dresdner Kapellknaben, Konrad Wagner, Herbert KegelB♭ Major46B125 BPM
Samson et Dalila: Bacchanale by Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen GunzenhauserSamson et Dalila: BacchanaleCamille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen GunzenhauserA Minor18A109 BPM
Carmina Burana (version for soloists, choruses, 2 pianos and percussion): Fortuna Imperatrix Mundi: O Fortuna by Carl Orff, Lenneke Ruiten, Christoph Genz, Stephan Genz, SWR Vokalensemble Stuttgart, Stuttgart State Opera Children's Chorus, Grauschumacher Piano Duo, Norbert Schmitt-Lauxmann, Christoph Wiedmann, Martin Ruda, Markus Fischer, Jakob Eschenburg, Frank Behle, Rupert HuberCarmina Burana (version for soloists, choruses, 2 pianos and percussion): Fortuna Imperatrix Mundi: O FortunaCarl Orff, Lenneke Ruiten, Christoph Genz, Stephan Genz, SWR Vokalensemble Stuttgart, Stuttgart State Opera Children's Chorus, Grauschumacher Piano Duo, Norbert Schmitt-Lauxmann, Christoph Wiedmann, Martin Ruda, Markus Fischer, Jakob Eschenburg, Frank Behle, Rupert HuberF Major27B132 BPM
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) by Jean-Baptiste Lully, Le Concert Des NationsMarche pour la cérémonie des Turcs (Jean-Baptiste Lully)Jean-Baptiste Lully, Le Concert Des NationsA Major311B144 BPM
J. Strauss: Radetzky March by Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss OrchesterJ. Strauss: Radetzky MarchJohann Strauss I, Willi Boskovsky, Wiener Johann Strauss OrchesterA Major411B112 BPM
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie MastersonJulius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie MastersonE Major012B72 BPM
Das Rheingold: Einzug der Götter in Walhall by Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo DudamelDas Rheingold: Einzug der Götter in WalhallRichard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo DudamelD♭ Major13B76 BPM
Scheherazade: The Sea & Sinbad's Ship by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: The Sea & Sinbad's ShipNikolai Rimsky-Korsakov, Joakim SvenhedenE Major112B82 BPM
Nocturnes, Op. 9: No. 2 in E-Flat Major by Finghin CollinsNocturnes, Op. 9: No. 2 in E-Flat MajorFinghin CollinsB♭ Major06B101 BPM
ISRC
DEF058430817
Label
L-M Records/RCA Records

Section: 0.6912028789520264

End: 0.695993185043335