Carl Orff, June Anderson, Chicago Symphony Orchestra, James Levine made "Carmina Burana / 3. Cour d'amours: "Stetit puella"" available on January 1, 1985. The duration of Carmina Burana / 3. Cour d'amours: "Stetit puella" is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Carmina Burana / 3. Cour d'amours: "Stetit puella"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carmina Burana / 3. Cour d'amours: "Stetit puella"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carmina Burana / 3. Cour d'amours: "Stetit puella" by Carl Orff, June Anderson, Chicago Symphony Orchestra, James Levine having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | ||
Carmina Burana: Fortuna Imperatix Mundi: Fortune plango Vulnera | Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Celestina Casapietra, Horst Hiestermann, Karl-Heinz Stryczek, MDR Leipzig Radio Chorus, Dresdner Kapellknaben, Konrad Wagner, Herbert Kegel | B♭ Major | 4 | 6B | 125 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Carmina Burana (version for soloists, choruses, 2 pianos and percussion): Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, Lenneke Ruiten, Christoph Genz, Stephan Genz, SWR Vokalensemble Stuttgart, Stuttgart State Opera Children's Chorus, Grauschumacher Piano Duo, Norbert Schmitt-Lauxmann, Christoph Wiedmann, Martin Ruda, Markus Fischer, Jakob Eschenburg, Frank Behle, Rupert Huber | F Major | 2 | 7B | 132 BPM | ||
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM |
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