Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra made "Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace)" available on April 17, 2009. The duration of Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Prokofiev: Piano Concertos Nos. 2 & 3". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) by Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Soirées de Vienne, S. 427: No. 6, Allegro con strepito (After F. Schubert) - First version | Franz Liszt, Evgeny Kissin | A Major | 1 | 11B | 106 BPM | ||
Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 80 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Horn Trio In E Flat, Op. 40: 1. Andante - Poco più animato | Johannes Brahms, Barry Tuckwell, Itzhak Perlman, Vladimir Ashkenazy | F Minor | 1 | 4A | 107 BPM | ||
Alexander Nevsky: VII. Alexander's Entry into Pskov | Sergei Prokofiev, Irina Gelahova, Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Piano Sonata in G-Sharp Minor Op. 19, No. 2, "Sonata Fantasy": 2. Presto | Alexander Scriabin, Vladimir Ashkenazy | G Major | 1 | 9B | 95 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: I. Introduction | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM |
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