"Karelia Suite, Op.11: 1. Intermezzo (Moderato)" by Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 1996. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Sibelius: Finlandia; Luonnotar; Karelia Suite". In this album, this song's track order is #1. The popularity of Karelia Suite, Op.11: 1. Intermezzo (Moderato) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Karelia Suite, Op.11: 1. Intermezzo (Moderato) by Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
The Sea: I. Seascape | Frank Bridge, Ulster Orchestra, Vernon Handley | F♯ Minor | 1 | 11A | 86 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 105 BPM | ||
Rosamunde, Op. 26, D.797: Entr'acte No. 3 (Andantino) | Franz Schubert, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 0 | 6B | 78 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Prodaná nevesta (The Bartered Bride): Overture | Bedřich Smetana, Berlin Radio Symphony Orchestra, Darrell Ang | F Major | 3 | 7B | 136 BPM | ||
Symphony in C: Final : Allegro vivace | Georges Bizet, Paavo Järvi, Orchestre de Paris | G Major | 1 | 9B | 147 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | B♭ Major | 1 | 6B | 82 BPM |
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