- BPM
- 82
- Key
- B♭ Major
- Camelot
- 6B
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod - Edward Elgar, Andrew Davis, BBC Symphony Orchestra Information
- Acousticness
- 98%
- Danceability
- 12%
- Energy
- 13%
- Instrumentalness
- 81%
- Liveness
- 11%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 10%
- Popularity
- 9%
- Loudness
- -20.872 dB
Summary
"Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod" by Edward Elgar, Andrew Davis, BBC Symphony Orchestra was released on October 22, 1991. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 20 in Elgar: Enigma Variations, Introduction & Allegro, Serenade for Strings & Cockaigne Overture by Edward Elgar, Andrew Davis, BBC Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod BPM
The tempo marking of Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod by Edward Elgar, Andrew Davis, BBC Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | |
 | Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | |
 | Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | |
 | Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | |
 | J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | |
 | Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | |
 | Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | |
 | Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM |
- ISRC
- DEA809115110
- Label
- L-M Records/RCA Records
Section: 1.4171879291534424
End: 1.4213690757751465