"Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato)" by Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1981. Since Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan's "Mendelssohn / Bruch: Violin Concertos" album is number 4 out of 6. In terms of popularity, Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) by Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C: Scherzo : allegro vivace | Georges Bizet, Paavo Järvi, Orchestre de Paris | G Major | 2 | 9B | 119 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Light Cavalry: Overture | Franz von Suppé, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 64 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête | Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker | C Major | 1 | 8B | 86 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
Sonata for Violin and Piano in A: 4. Allegretto poco mosso | César Franck, Kaja Danczowska, Krystian Zimerman | E Major | 0 | 12B | 87 BPM | ||
Radetzky-Marsch, Op. 228 | Johann Strauss I, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 107 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM |
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