Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi's 'Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso' came out on February 9, 2014. Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Henri Vieuxtemps, Wolfgang Amadeus Mozart's "Mozart: Violin Concerto No.5 In A, K.219 / Vieuxtemps: Violin Concerto No.4 In D Minor, Op.31 (Bonus Track Version)" album is number 6 out of 9. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso by Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paganiniana (Variations) For Violin Solo | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
Neruda: Trumpet Concerto in E-Flat Major: I. Allegro | Johann Baptist Georg Neruda, Alison Balsom, Deutsche Kammerphilharmonie Bremen | E♭ Major | 2 | 5B | 103 BPM | ||
Wachet auf, ruft uns die Stimme Cantata, BWV 140: Arie (Duett): "Wann kommst du, mein Heil?" | Johann Sebastian Bach, Christine Schäfer, Matthias Goerne, Hilary Hahn, Munich Chamber Orchestra, Alexander Liebreich, Rosario Conte, Kristin von der Goltz, Naoki Kitaya | C Minor | 2 | 5A | 94 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Violin Concerto No. 9 in A Minor, Op. 104: III. Rondo: Allegretto moderato | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | A Major | 1 | 11B | 84 BPM | ||
Violin Sonata No. 1 in G Major, Op. 78: Vivace ma non troppo | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Major | 1 | 10B | 78 BPM | ||
Carmen Fantasy, Op. 25: V. Moderato - Animato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Minor | 3 | 8A | 136 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: VII. Gigue | Johann Sebastian Bach, Hilary Hahn | E Major | 3 | 12B | 113 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | E♭ Major | 0 | 5B | 107 BPM |
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