Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo made "Carmen Fantasy, Op. 25: V. Moderato - Animato" available on October 26, 2010. The duration of Carmen Fantasy, Op. 25: V. Moderato - Animato is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Carmen Fantasy, Op. 25: V. Moderato - Animato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Sarasate: Music for Violin and Orchestra, Vol. 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Carmen Fantasy, Op. 25: V. Moderato - Animato's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carmen Fantasy, Op. 25: V. Moderato - Animato by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen fantasie (Version for Violin & Piano) | Franz Waxman, Maxim Vengerov, Irina Vinogradova | D Major | 1 | 10B | 81 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Glazunov : Violin Concerto in A minor Op.82 : III Allegro | Alexander Glazunov, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker | A Major | 2 | 11B | 141 BPM | ||
Etudes-Tableaux, Op. 33, No. 4 in D Minor | Hélène Grimaud | D Minor | 2 | 7A | 94 BPM | ||
Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM | ||
The Seasons, Op.67: 1. Winter | Alexander Glazunov, Orchestre de la Suisse Romande, Ernest Ansermet | D Minor | 0 | 7A | 113 BPM | ||
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture | Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz | A Major | 1 | 11B | 138 BPM | ||
Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
Les Sylphides - Ballet: VII. Waltz in C-Sharp Minor, Op. 64, No. 2 - 2021 Remastered Version | Frédéric Chopin, Eugene Ormandy, The Philadelphia Orchestra Pops | E♭ Major | 1 | 5B | 150 BPM |
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