Frédéric Chopin, Eugene Ormandy, The Philadelphia Orchestra Pops made "Les Sylphides - Ballet: VII. Waltz in C-Sharp Minor, Op. 64, No. 2 - 2021 Remastered Version" available on September 20, 1954. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 31 in the song's album "Offenbach: Gaîté Parisienne - Chopin: Les Sylphides (Remastered)". In this album, this song's track order is #30. Furthermore, we believe that the track originated from United States. Based on our statistics, Les Sylphides - Ballet: VII. Waltz in C-Sharp Minor, Op. 64, No. 2 - 2021 Remastered Version's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Les Sylphides - Ballet: VII. Waltz in C-Sharp Minor, Op. 64, No. 2 - 2021 Remastered Version by Frédéric Chopin, Eugene Ormandy, The Philadelphia Orchestra Pops having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Nocturne in B-Flat Minor, Op. 9, No. 1 | Frédéric Chopin, Vladimir Feltsman | E♭ Minor | 0 | 2A | 67 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Deux Arabesques, CD. 74: I. Andantino con moto | Claude Debussy, Nikolai Lugansky | F♯ Minor | 0 | 11A | 68 BPM |
Section: 0.7906243801116943
End: 0.7942109107971191