Nathan Milstein's 'Paganiniana (Variations) For Violin Solo' came out on January 1, 2006. Since Paganiniana (Variations) For Violin Solo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Tchaikovsky: Violin Concertos & Encores". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Paganiniana (Variations) For Violin Solo is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Paganiniana (Variations) For Violin Solo by Nathan Milstein having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Ballade No. 3 In A-Flat Major, Op. 47 | Frédéric Chopin, Krystian Zimerman | A♭ Major | 1 | 4B | 88 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Symphonie espagnole: I. Allegro non troppo | Orchestre National de Paris, Nathan Milstein, André Cluytens | D Major | 1 | 10B | 98 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
I. Allegro ma non troppo | Antonín Dvořák, Nathan Milstein, Wilhelm Hans Steinberg, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 144 BPM | ||
Violin Concerto in A Minor, Op. 28: II. Andante | Karl Goldmark, New York Philharmonic, Bruno Walter, Nathan Milstein | G Major | 2 | 9B | 91 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 27 "Ballade" | Eugène Ysaÿe, Maxim Vengerov | G Minor | 1 | 6A | 141 BPM | ||
Sonata In A For Violin And Basso Continuo, Op. 1 No.1: 1. Andante | Francesco Geminiani, Nathan Milstein, Georges Pludermacher | A Major | 1 | 11B | 85 BPM |
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