Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête
Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker
Ravel: L'enfant et les sortilèges & Ma mère l'Oye
5:05 February 2, 2024
BPM
86
Key
C Major
Camelot
8B

Embed

Share Link

Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête - Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker Information

Acousticness
96%
Danceability
16%
Energy
6%
Instrumentalness
90%
Liveness
9%
Loudness
67%
Speechiness
4%
Valence
4%
Popularity
Loudness
-20.024 dB

Summary

"Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête" by Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker was released on February 2, 2024. With this song being about 5 minutes long, at 5:05, "Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête" by Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Ravel: L'enfant et les sortilèges & Ma mère l'Oye". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête BPM

With Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête by Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Dreams of a River by Mahir Cetiz, Howard Griffiths, Deutsches Symphonie-Orchester BerlinDreams of a RiverMahir Cetiz, Howard Griffiths, Deutsches Symphonie-Orchester BerlinF♯ Major12B78 BPM
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase by Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanPeer Gynt Suite No.1, Op.46: 2. The Death Of AaseEdvard Grieg, Berliner Philharmoniker, Herbert von KarajanG Major09B45 BPM
Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen by Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl BöhmKindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangenGustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl BöhmE♭ Major25B91 BPM
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia by Benjamin Britten, Sir Simon Rattle, London Symphony OrchestraThe Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marciaBenjamin Britten, Sir Simon Rattle, London Symphony OrchestraC Major08B66 BPM
The Planets, Op. 32: 1. Mars, the Bringer of War by Gustav Holst, Berliner Philharmoniker, Herbert von KarajanThe Planets, Op. 32: 1. Mars, the Bringer of WarGustav Holst, Berliner Philharmoniker, Herbert von KarajanA♭ Major54B149 BPM
Prélude à l'après-midi d'un faune by Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel PahudPrélude à l'après-midi d'un fauneClaude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel PahudA♭ Minor01A84 BPM
Sinfonia da Requiem, Op. 20: I. Lacrymosa. Andante ben misurato by Benjamin Britten, Sir Simon Rattle, London Symphony OrchestraSinfonia da Requiem, Op. 20: I. Lacrymosa. Andante ben misuratoBenjamin Britten, Sir Simon Rattle, London Symphony OrchestraG Major29B85 BPM
Symphony No. 2 Symphony No. 2 "The Age of Anxiety" / Part 2 / I. The Dirge: LargoLeonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon RattleA Major111B95 BPM
Rapsodie espagnole, M. 54: I. Prélude à la nuit by Maurice Ravel, London Symphony Orchestra, Claudio AbbadoRapsodie espagnole, M. 54: I. Prélude à la nuitMaurice Ravel, London Symphony Orchestra, Claudio AbbadoB Major01B119 BPM
Suite, Op. 56: IV. Rondo. Presto by Rudolf Moser, Sinfonietta Riga, Philippe BachSuite, Op. 56: IV. Rondo. PrestoRudolf Moser, Sinfonietta Riga, Philippe BachD Major010B101 BPM
ISRC
GBAYC0802857
Label
L-M Records/RCA Records

Section: 0.6660451889038086

End: 0.6718099117279053