"Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête" by Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker was released on February 2, 2024. With this song being about 5 minutes long, at 5:05, "Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête" by Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Ravel: L'enfant et les sortilèges & Ma mère l'Oye". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: Ma mère l'Oye, M. 62: IV. Les entretiens de la Belle et de la Bête by Maurice Ravel, Sir Simon Rattle, Berliner Philharmoniker having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dreams of a River | Mahir Cetiz, Howard Griffiths, Deutsches Symphonie-Orchester Berlin | F♯ Major | 1 | 2B | 78 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 91 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Prélude à l'après-midi d'un faune | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel Pahud | A♭ Minor | 0 | 1A | 84 BPM | ||
Sinfonia da Requiem, Op. 20: I. Lacrymosa. Andante ben misurato | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | G Major | 2 | 9B | 85 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 2 / I. The Dirge: Largo | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A Major | 1 | 11B | 95 BPM | ||
Rapsodie espagnole, M. 54: I. Prélude à la nuit | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | B Major | 0 | 1B | 119 BPM | ||
Suite, Op. 56: IV. Rondo. Presto | Rudolf Moser, Sinfonietta Riga, Philippe Bach | D Major | 0 | 10B | 101 BPM |
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