"Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto" by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 2000. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan's "Karajan conducts Tchaikovsky" album is number 9 out of 69. In terms of popularity, Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morceaux de fantaisie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 0 | 6A | 112 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Cello & Piano): III. Allegretto [Live] | Franz Schubert, Mstislav Rostropovich, Benjamin Britten | E Major | 1 | 12B | 111 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Music to Goethe's Tragedy "Egmont", Op. 84 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 183 BPM | ||
Cello Concerto No.1 In A Minor, Op.33: 2. Allegretto con moto | Camille Saint-Saëns, Mstislav Rostropovich, Symphony Orchestra of the All Union Radio, Gregory Stolyarov | F Major | 2 | 7B | 100 BPM | ||
Quintettino Op.30 No.6, G.324: 4. Passacalle | Luigi Boccherini, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 77 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegro non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 78 BPM | ||
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
2 Pieces, Op. 10, TH 132: 2. Humoresque | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | D Minor | 0 | 7A | 82 BPM |