"Thaïs / Acte Deux: Meditation" by Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 1990. With this song being about 5 minutes long, at 4:55, "Thaïs / Acte Deux: Meditation" by Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 15 in Barcarolle - Favourite Opera Intermezzi by Gothenburg Symphony Orchestra, Neeme Järvi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Thaïs / Acte Deux: Meditation is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Thaïs / Acte Deux: Meditation by Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
Der Schneemann: Serenade | Erich Wolfgang Korngold, Daniel Hope, Royal Stockholm Philharmonic Orchestra, Alexander Shelley | B Minor | 1 | 10A | 86 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, Staatskapelle Berlin | G Minor | 1 | 6A | 91 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Vivaldi: Violin Concerto in F Major, RV 293 "L'autunno" (No. 3 from "Il cimento dell'armonia e dell'inventione", Op. 8): II. Adagio molto | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | B Minor | 0 | 10A | 112 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | G Major | 2 | 9B | 98 BPM | ||
Clarinet Concerto In A, K.622: 2. Adagio - Live | Wolfgang Amadeus Mozart, Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM |
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